I was brought up around Pentecostals - holy rollers - who preach constant pain and death and agony and hell. Religion seems to be about practicing fear tactics. At first, I embraced it, ultimately I was turned off by it. NP: I grew up in a religious fanatic type of family, not my father and mother, but everyone else around me.
What is the role of religion in your work? Murder-Set-Pieces is a cautionary tale of what is the greatest problem with 21st century America: Parents don’t look after their children.ĪRM: That sounds like a world without grace. I wanted to exaggerate the murders a little bit and show how disgusting murder is, and how callous people are towards it.
#Murder set pieces scene serial
NP: I wanted to make a realistic film about a serial killer told from his point-of-view. The surface is cleaner, you have to dig a little more…ĪRM: What is the story you are telling with Murder-Set-Pieces ? They’ve cleaned the downtown area up to the average person by building new buildings, which makes the drugs and the homeless move a little further back into the desert. Only when an outsider finds a body will it be on the news. In Vegas it’s about the money, if you have it, you get what you want. A lot of the crime is hidden because it’s a tourist town and they lose millions of dollars. Its one of the highest crime cites in the nation, the world even.
#Murder set pieces scene tv
It’s promoted on TV as this fantasy island for adults and even kids but Vegas isn’t really like that at all if you live here. I wanted to show Las Vegas for what it is. I was fascinated by her and that lead to my love affair with the dark side of human nature.ĪRM: Las Vegas seems a character in Murder-Set-Pieces. I felt like she didn’t want to the way she was, but couldn’t help it. There was a reason that she was evil and I felt sorry for her. Nick Palumbo: I saw The Wizard of Oz (1939) as a child and I fell in love with The Wicked Witch of the West. Palumbo’s images are poetically abstracted and burn into the eyes with irrefutable relevance that proposes Murder-Set-Pieces as THE exploitation film of the 9-11 decade.Īndrew Repasky McElhinney: What brought you to filmmaking? Like the frenzied acceleration of a mass murderer about to get caught, American’s yen for violence is greater than ever before. Alternating between alienated suburban pre-fab condos, strip clubs in strip malls, the killer’s blood soaked underground dungeon, and the “ca-ching” of the casinos Murder-Set-Pieces is a independently produced grand guignol in the tradition of Last House on Dead End Street and Henry Portrait of a Serial Killer. The effect is reminiscent of Untitled Cindy Sherman Stills catalogued into order by The Brothers Grimm.
And at night, he is a suave sex slasher strolling Vegas’ neon-infested strips.
Afterschool, he is the sinister stalker of very young girls. By day, this Arian jock is a soft-core fashion photographer. Our Real World vampire, The Photographer (Sven Garrett) is a self-styled Neo-Nazi Terminator of women. Nick Palumbo’s barbarous second feature, Murder-Set-Pieces is set in such a world of hate. Violence is the world’s universal language, just as digital videotape is its voice.
#Murder set pieces scene download
Any computer literate kid can download beheadings, bondage and brutality all in the name of infotainment. Poet of Blood: An Interview With Nick PalumboĮven in this age of protected and suppressed images, snuff webcasts bring The Global War on Terror home.